Deane Madsen

Writing on Architecture

A lone pedestrian walks the lower level of the Watergate | © Deane Madsen

The Watergate in Black and White

Watergate at dusk

The Watergate Complex at dusk | © Deane Madsen

It was my great honor to photograph The Watergate in grainy detail for a photo essay to accompany a long-form piece by Rachel Kurzius for Curbed entitled “Watergate is a place, too.” For this assignment, I carried both my 35mm Nikkormat camera and my digital Nikon D5000—just to be safe—but the images on film turned out just fine, despite weather complications in the form of scattered thunderstorms and winds gusting above 40 knots off the Potomac.

Garden enclosed by the Watergate | © Deane Madsen

Garden enclosed by the Watergate | © Deane Madsen

After parking beneath the Watergate, where the waffle slab ceiling is glorious but dimly illuminated, I walked all around the Watergate’s grounds, looking for signs of life, interesting details, and unexpected angles. The Watergate Hotel offers supreme views into the ground-level courtyard with the Washington Monument just one of many landmarks visible in the city’s backdrop. The roof terrace of the Kennedy Center, which neighbors the Watergate complex to the south, likewise afforded decent views back toward the complex, though it was here that the weather was at its most severe.

View of the Watergate complex across the Potomac River from Roosevelt Island | © Deane Madsen

View of the Watergate complex across the Potomac River from Roosevelt Island | © Deane Madsen

In between thunderstorms, I drove out to Roosevelt Island, and walked around its northeastern shoreline looking for a vantage point from which to shoot the Watergate over the Potomac. Low tree branches obscured most direct views, but I continued until I found a relatively unobstructed view back.

A lone pedestrian walks the lower level of the Watergate | © Deane Madsen

A lone pedestrian walks the lower level of the Watergate | © Deane Madsen

Perhaps because of the inclement weather, there were few people out and about during my shooting days (I did return the next day for a chance at clearer skies), but the effect is one of eerie tranquility. I owe a debt to many architectural photographers that have preceded me, notably Ezra Stoller and Simon Phipps, both of whom have made photographs that emphasize form, materiality, and play of light.

The Watergate's distinctive toothlike balcony stalagmites provide add rhythm to the buildings' rounded forms | © Deane Madsen

The Watergate’s distinctive toothlike balcony stalagmites provide add rhythm to the buildings’ rounded forms | © Deane Madsen

Read the fascinating full story at Curbed. 

On April 27, 2018
by Deane
in Mixed-Use Development, Photography

architectural photographyCurbedphotographyWashington DCWatergate

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