Deane Madsen

Writing on Architecture

880 P Street in ArchitectureDC Summer Issue

On July 6, 2018
by Deane

880 P Street

I was pleased to contribute two articles to ArchitectureDC Magazine’s annual residential design issue (Summer 2018), looking at housing from both the single-family and multifamily perspectives. On the single-family front, it was David Jameson’s Hull House in Alexandria, which is a contemporary take on the gabled-roof silhouette so prevalent in that neighborhood. The multifamily project was 880 P Street by Shalom Baranes, the last piece of a multi-block development puzzle in the heart of Shaw centered around the historic market at O Street. An excerpt from the article follows. 

Lobby

Fifty years ago this spring, as the nation recoiled from the assassination of Rev. Martin Luther King, Jr., its capital descended into four days of that left whole swaths of Washington in smoking rubble. A quarter century later, the Victorian-styled O Street Market—which had served continuously as the Shaw neighborhood’s public marketplace since its 1881 completion, but was slow to re-emerge from that post-riot rubble—was again the site of turmoil as gun violence erupted, injuring eight people and killing one, 15-year-old Duwan A’Vant.

In the two decades that followed the 1994 shooting, O Street Market fell into disrepair. A grocery chain, Giant, opened and paved over the rest of the two blocks bounded by O Street, NW, to the south, P Street to the north, and 7th and 9th streets to the east and west, respectively. Now, thanks to a forward-thinking re-investment initiated by Roadside Development in 2001, the O Street Market is restored, and the two blocks are filled with a hotel, various restaurants, and new mid-rise residential buildings that bring density and housing into a historic district that needs both. The last piece of that puzzle, designed by Shalom Baranes Associates (SBA), is 880 P Street.

“I think the building is an example of how you can do contemporary design in historic neighborhoods, and it’s going to be OK,” said Robert Sponseller, AIA, who is a design principal at SBA, and who led the master plan. “You can put modern and old together, and there’s a synergy you get when you do that that’s more powerful than just recreating the old.”

Read the full story at ArchitectureDC.

Southward view from the 880 P Street rooftop

Rooftop amenities include a swimming pool, a grilling deck, an outdoor shower, and this lounge with shuffleboard table

The 880 P Street project occupies the L-shaped northwest corner of the site, and completes the second phase of the overall City Market at O master plan, which was also designed by SBA. The site development restores the 8th Street right-of-way that had been eliminated in the mid-1970s, realigning it with the L’Enfant Plan, and resurrects the O Street Market with the insertion of the Giant within its shell (the building was added to the National Register of Historic Places in 1995).

Phase one of the project also included the Hodge—an apartment tower of 90 affordable units aimed at seniors, to fulfill requirements of Washington’s inclusionary zoning laws—as well as two, 10-story market-rate condominium towers and the 182-room Cambria Hotel at the southwest corner of the site. While residents of the Hodge must meet income thresholds—18 units are set aside for people who earn less than 50 percent of area median income (AMI), with the other 72 for those at or below 60 percent AMI—the other three market-rate towers, including 880 P Street, have no such restrictions.

The 880 P Street building and its two sibling apartment complexes aim squarely at a higher-income demographic, with one-bedroom units starting upwards of $2,400 per month (rents at the Hodge, by contrast, are $964 to $1,169). Billed as luxury living, the units themselves are compact, but outfitted with finishes such as Italian cabinetry and Corian countertops. Floor-to-ceiling windows and private balconies afford broad views outward and daylight penetration within. In two-bedroom units, Raydoor fixed and sliding partitions take advantage of the abundance of daylight to cast a diffuse glow in the secondary bedroom.

Read the full story at ArchitectureDC.

Hull House in ArchitectureDC Summer Issue

On July 1, 2018
by Deane

David Jameson’s Hull House

I was pleased to contribute two articles to ArchitectureDC Magazine’s annual residential design issue (Summer 2018), looking at housing from both the single-family and multifamily perspectives. The multifamily project was 880 P Street, the last piece of a development puzzle in the heart of Shaw. On the single-family front, it was David Jameson’s Hull House in Alexandria, which is a contemporary take on the gabled-roof silhouette so prevalent in that neighborhood. It’s a straightforward parti with a complex, folded roof that prompts Jameson to talk about origami when mentioned. An excerpt from the article follows. 

The entry—a notch carved into the south-facing stone wall—is obscured from eastbound traffic

The popularity of gabled rooflines isn’t unique to Alexandria, Virginia—that angled silhouette has served as a signifier of “house” from the earliest ages, assembled easily in children’s drawings or blocks by placing a triangle atop a square. Although pitched roofs are so standard as to be written into Alexandria’s historic district design guidelines, for David Jameson, FAIA’s, latest project in the city, everything beneath that traditional roofline is decidedly unconventional.

Hull House, which is sited along a busy cut-through between one of Alexandria’s main drags and its Old Town neighborhood, cuts a jagged profile as viewed from the street, with a narrow central volume flanked by two larger, unequal wings (“We call it Hull House because it’s like you’re living in the hull of a boat,” Jameson said). But beyond the flash of copper roofing and a glint of glass beneath its pointed prows, the true nature of the house lies hidden behind a 60-foot-long stone wall, with its entrance carved at an angle invisible from eastbound traffic. That wall doubles back to define an eight-foot-deep service core of restrooms and closets—recalling the “servant spaces” in the designs of seminal modernist architect Louis I. Kahn—and acts as a physical and acoustical barrier between occupants and passing traffic.

Read the full story at ArchitectureDC.

Large roof overhangs allow ample daylight while mediating solar gain

The rock wall gives way to Hull House’s entrance

Welcome Back, DCist! A Look at Steven Holl Architects’ Kennedy Center Expansion

On June 11, 2018
by Deane

The roof of the REACH will be planted as part of an additional 130,000 square feet of green space in the Kennedy Center expansion.

Local news site DCist relaunched today after a little more than six months of hiatus. I’m pleased to have contributed a piece on the Kennedy Center’s expansion—an ambitious, 72,000-square-foot addition to the performing arts campus designed by Steven Holl Architects—to the latest incarnation of DCist.

An excerpt from the piece is below, but be sure to click through for the full story as well as the rest of the glorious comeback coverage featured on DCist:

“Ginkgoes are an amazing tree,” architect Steven Holl explained at a recent construction tour of the center. “In the fall, they get these golden colors that hang on the trees through the month of November. I have three ginkgo trees that I’ve planted, and I’ve witnessed this, where, in November, suddenly all the leaves decide to fall. I’m hoping that it could happen here on the 22nd of November, which is that fateful day of Kennedy’s removal from the face of the earth. Anyway, that is going to be a beautiful grove. When the leaves drop, it’s like a golden carpet below the trees.”

At last week’s tour, Holl, the founder of Steven Holl Architects, bordered on the lyrical in describing his firm’s work as curving tips of an iceberg connected beneath the surface and likening movement between aboveground and underground spaces to a violinist’s glissando, the slide between two notes.

“Most of the curves are about the connectivity of the underground to these three river pavilions above. That same curve goes all the way down,” Holl said. The expansion will open on September 7, 2019.

Read the full story at DCist. Thankfully, DCist’s active comment community seems to continue to thrive. It should be noted that the ginkgo trees mentioned above, which will be planted at the expansion, are all male trees, i.e., the non-stinky-fruit-bearing kind.  

Sneak Peek of Thomas Phifer’s Glenstone Expansion

On May 22, 2018
by Deane
The Pavilions at Glenstone, by Thomas Phifer and Partners with PWP Landscape Architecture | © Deane Madsen

The Pavilions at Glenstone, by Thomas Phifer and Partners with PWP Landscape Architecture | © Deane Madsen

The Glenstone Museum in Potomac, Md., opened its doors to visitors for a preview of its latest exhibition,“Louise Bourgeois: To Unravel a Torment,” and a walking tour of its expansion. The expansion, designed byThomas Phifer and Partners with PWP Landscape Architecture, will open in October. 

The Glenstone Museum in Potomac, Md., was abuzz with activity during a recent press preview for its latest exhibition, “Louise Bourgeois: To Unravel a Torment,” which opened May 10, not least because visitors were also offered a brief walkthrough of the museum’s significant expansion, which is set to open October 4.

Glenstone may be one of the greater Washington area’s best-kept secrets, but expect that to change this fall. The museum opened the doors of its original 30,000-square-foot museum, designed by Gwathmey Siegel & Associates, in 2006. Since then, Glenstone has grown its undulating landscape, swelling from 100 acres to 230 acres and becoming a pastoral backdrop for large-scale outdoor sculptures from artists that include Richard Serra, Ellsworth Kelly, Jeff Koons, and Janet Cardiff with George Bures Miller.

The museum has also outgrown the 9,000 square feet of gallery space of its Gwathmey Siegel–designed facilities, prompting a dramatic expansion at the hands of Thomas Phifer and Partners with PWP Landscape Architecture, which adds 50,000 square feet of gallery space—along with an arrival center, two cafés, and storage and administrative spaces that bring the total addition to 240,000 square feet—in a cluster of variable-sized concrete boxes dubbed “the Pavilions.”

Read the full story at Architectural Record. 

Louise Bourgeios's "Cells" series includes intimate rooms constructed of found objects. | © Deane Madsen

Louise Bourgeios’s “Cells” series includes intimate rooms constructed of found objects. | © Deane Madsen

Secret Cities Exhibition Preview in Metropolis Magazine

On May 2, 2018
by Deane
Secret Cities exhibition at the National Building Museum | © Deane Madsen

Secret Cities exhibition at the National Building Museum | © Deane Madsen

If you’ve never heard of Los Alamos, New Mexico; Oak Ridge, Tennessee; or Hanford and Richland, Washington, you’re not alone. In fact, the clandestine nature of these places is by design. But the upcoming exhibition Secret Cities: The Architecture and Planning of the Manhattan Project, opening May 3 at the National Building Museum in Washington, D.C., aims to reveal much of their history and built forms.

As part of the U.S. war effort in the early 1940s, the federal government built facilities for the development and testing of atomic weapons. Alongside these, it also constructed housing for the involved scientists and technicians in semi-urban communities as secretive as their work.

Read the full story at Metropolis Magazine. “Secret Cities” runs May 3, 2018—March 3, 2019 at the National Building Museum.

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